I am currently working on 7 video projects in one. 1. “Single Point Lighting” video, 2. My “One, Two, GO!, sketch to transfer perfection”, 3. “An Apple Time Lapse”, 4. “An Apple Drawing Walk through”, 5. “Value Application with the Land and Take Off Method (working title) 6. “Value Scale for Graphite, Black it not Black” and 7. “How to Make your own Transfer Paper”.
It has been slow going it seems. One simple project rapped into many concepts. They are important concepts to me and I want to be able to deliver them precisely. I really want to give these wonderful ideas to the universe. Most of these concepts, I wish I knew 20 years ago and some I have been refining for 20 years.
Here is a fun little project I did and made a time lapse of it. I will be making a tutorial on drawing with graphite with this footage as well soon. Check back in in a week or so and I should have it ready. Please go to my YouTube page and follow me if you have a YouTube account. Or if you have anything you would like to see me make or have a tutorial idea leave a comment. Thanks again!!!
Hillside Colorado is one of my favorite places to visit. Located just east of the northern edge of the Sangre De Cristo mountain range and west of the Wet Mountains in a sublime valley. It almost pains me to give away the location of this magical spot, but it is too good to keep to myself. If you would like to stay there you can find information here.
So why would a non-representational / abstract painter like myself be drawn to doing a landscape. Well, it was there and it was transcendental. I love making all types of work outside of my primary work. It makes my abstract work so much better. Having other forms of visual communication makes for more informed abstract work. It helps to experience the work and be able to reflect on it, and use that energy to drive my primary mode of expression.
I love to work where ever I go. I took up way too many supplies to work while I was in Hillside and on the great driving trip from Denver to Hillside via 285 though Salida Colorado. But I was glad to have all that I needed to make some Plein Air works on paper that came out pretty nice. I have not done much Plein Air works in the past, not thinking much of it. I made a great discovery that working in the environment is far superior than working from an image. Just like working on a real subject, it becomes more tangible, I felt that I could gather the experience of being there.
On the way back I took a drive to St. Elmo to the west of Browns Canyon down a road that cuts in between to mighty peaks of the Collegiate Range, the same I was painting a few days earlier. It was a super drive cutting between mountain streams, groves of aspens and a ghost town.
It has always been a great joy of mine to have grown up in Colorado and live in Denver. There are so many places to see and experience in the state.
In my latest Get Your Phil of Art, I spend a quick moment sharing one of my preferred materials. Here I’d like to spend a little more time sharing what I love about Williamsburg Oil paints. As a non-representational artists that working primarily in the movements of color and composition its important to have stand up colors. I think my work speaks to that.
The pigments are outstanding, it’s really easy to mix and blend colors. You can tell the quality of the product just by the feel. I’ve been using these materials for over ten years. I used to have to order them direct but now I am able to find them locally as well. I also enjoy that these are made in US, knowing that the company making these has not sacrificed any quality.